TAB-GRABBER’s mission is to find the “one” melody/solo line. When several instruments play together, their notes overlap and it can’t tell which one is the right one — so the tabs come out messy or wrong.
For the best results, feed it an isolated (solo) recording of a single wind-type instrument — harmonica, sax, trumpet and similar.
Full-band recording? Use our top tier separator — the same engine used by commercial and film studios. Its technology is the best in the industry, and significantly outperforms all other offerings — particularly for wind instruments like harmonica. Just hit ✂ Isolate instrument first and the isolated track loads back in automatically. Or run it through a separator of your choice and select the “Wind” stem — that’s where harmonica, sax and trumpet end up (there’s usually no dedicated “harmonica” stem) — then load that stem here.
Quick tips:
Isolating real instruments is always a moving target. Expect a few missed notes. Most recordings will work great; a few can be near impossible to capture with any degree of success. The quality of the recording and proper isolation is the biggest barrier.
Fine print: recordings you send for isolation are processed and deleted within 24 hours. Everything else — grabbing, playback, saving — happens on your own computer. Please only upload recordings you have the right to use.
Nine times out of ten the recording is not isolated enough. TAB-GRABBER tracks ONE wind-type instrument — if a band is playing behind it, hit ✂ Isolate instrument first. Amplified, distorted or roomy recordings are always harder than clean ones.
It sends your selection to our top tier separator, pulls the wind instrument (harmonica, sax, trumpet) out of the band, and loads the isolated track straight back in — nothing to download or re-load yourself. Selecting just the solo first makes it faster and cheaper.
A setting that changes what the scanner hears (the selection, Tuning ref, or Scanning speed) has changed since the last grab — the current tabs are stale. Hit the glowing button to rescan. The button in the bar at the top is the same button, always in reach.
Use the OCTAVES row above the tabs: “Tabs” shifts the written tabs (harmonica recordings often read an octave high — try −1). “Auto octave” in Fine-tune normally handles this on its own.
Those are ghost harmonics. Set Note Check to Normal — it drops them. If they survive, pull Capture down one step. On amplified harp avoid Strong: it can delete real notes.
Set Scanning speed to Careful or Very careful (needs a Regrab) and keep Busy-Adaptive On — fast passages then accept shorter notes instead of swallowing them.
After a grab it re-measures every note against the actual audio using harp physics — for example a natural note can never read sharp, so a “sharp 4+” is really a flat 4′ bend. It fixes bends that landed on the wrong note.
They are harmonica-specific: My Cal verifies pitches against real harp tunings, Bend Physics applies harp bend rules. A sax playing slightly sharp is legitimate — these rules would fight it, so the Horns preset turns them off.
After a grab the system measures the whole recording. If it runs 8 cents or more off pitch, the Tuning ref is corrected for you and Grab Tabs lights up — you will see “Track tuning has been corrected” with an undo link under the box. Nothing applies until you Regrab.
mp3, wav, m4a, ogg, flac — plus mp4, mov and webm video (the audio is pulled out automatically).
Hit “⬇ Save .fabtab” in the play dock, then import that file in Fab Tabs. Colours, bends and held notes carry over.
Isolation credits are attached to your Fab Tabs licence key. Enter the key and the app shows your credit balance; each successful isolation uses credits based on the length you send.
The OCTAVES row has two controls: “Tabs” changes what is written, “Playback tone” changes only the sound. They move together while “linked” is ticked — untick it to set them separately.
That is the separated track that came back from the isolation step — it replaced the full-band version in the app. The original file on your computer is untouched.
Yes. Right-click the tab (or turn on “✎ Fix a note” and click it). You can swap it for a nearby tab, type the exact tab you want, shift that one note an octave, or delete it. Fixes survive setting changes and go into every save; a fresh Regrab starts clean.
Yes — the Tab format control in the sidebar has the same four formats as Fab Tabs: Conventional (6 / -6), Minimal (6+ / 6), Letters (6b / 6d) and +/- Symbols (+6 / -6). It changes the display and the saved files, and the app remembers your choice.
No. A purchased copy comes with your licence already inside it, and a key you type is remembered by your browser — once is enough.
Only for isolation: up to 30 MB and 5 minutes of audio per run, and up to 40 isolations a day per licence. Grabbing, playback and saving have no limits — they run entirely on your own computer.
Files go to the server only for isolation. They are processed and deleted within 24 hours, and nothing else ever leaves your computer. You are responsible for having the right to use the recordings you upload.
Only for the Isolate step. Everything else — grabbing tabs, playback, fine-tuning, saving — works offline.
Tab-Grabber and Fab Tabs are separate programs. Tab-Grabber turns recordings into tabs and saves them as text or an audio player; if you also own Fab Tabs, the “Export to Fab Tabs” button carries your tabs across.